Maya Jaggi, ‘In the line of site’, The Financial Times, 27 July 2024.

Amanda Gluibizzi, ‘Antony Gormley with Amanda Gluibizzi’, The Brooklyn Rail, June 2024.

Fiona McKenzie Johnston, ‘Artists in their Studio: Antony Gormley’, House & Garden, June 2024. 

Annabel Keenan, ‘Antony Gormley’, Sculpture, 28 May 2024.

Dan Duray, ‘Antony Gormley Opens Up About Drawing's Role in Sculpture and His Relationship with New York’, Observer, 8 May 2024.

John Wilson, ‘Antony Gormley: This Cultural Life’, This Cultural Life, BBC Radio 4, Thursday 25 April 2024.

Peter Stanford, ‘Time and tide’, The Tablet, 19 April 2024.

Juliet Rix and Martin Kennedy, ‘Antony Gormley - interview: 'What is made here is a repositioning of the relationship of body to ground’, Studio International, 17 April 2024.

Russell Tovey and Robert Diament, ‘Antony Gormley’, Talk Art, 11 April 2024. 

Kirsty Lang, ‘The Angel of Norfolk’, The Sunday Times, 7 April 2024.

Heo Yunhee, ‘Sculpture master to install a large work on Bigeumdo inspired by the lives of the islanders’, Chosun Ilbo, 28 March 2024.

Charlotte Mullins, ‘Home is where the art is’, Country Life, 27 March 2024. [PDF]

Alastair Campbell and Rory Stewart, ‘66. Antony Gormley: Art, religion, and the battle for culture’, The Rest is Politics, Leading, 25 March 2024. 

2024

Emmanuelle Lequeux, ‘Antony Gormley fait corps avec Rodin’, Beaux Arts Magazine, 1 December 2023. [PDF]

Nancy Durrant, ‘Politics and economics have failed us - that's why art is so important’, The Evening Standard, 20 November 2023. 

Valérie Duponchelle, ‘Antony Gormley: Mes sculptures sont une résponse radicale à Rodin’, Le Figaro, 18 November 2023. 

Rachel Campbell-Johnston, ‘I used to wrap myself up in clingfilm, but I am not as young as I once was’, The Times Magazine, 11 November 2023. 

Jackie Wullschläger, ‘Gormley and Rodin in Paris — an affinity that resonates with our times’, Financial Times, 19 October 2023.

Emmanuelle Jardonnet, ‘Antony Gormley et Rodin, un joli pas de deux’, Le Monde, 16 October 2023.

Charlotte Fauve, ‘Faire Corps Avec L'Humain’, Telerama, 10 October, 2023. 

Almuth Spiegler, ‘Salzburg's Ausstellungen überspannen den Bogen’, Die Press, 4 August 2023.

Jiang Xinfeng, ‘Shaping the World’, GQ, China, June 2023.

Li Wanying, ‘Antony Gormley: Finding A Field Of Extended Energy’, The New York Times Life and Arts: China, June 2023.

Ma Junyi, ‘Fates Entwined’, Wallpaper* China, May 2023.

Michael Huber, ‘Antony Gormley arbeitet an der Ordnung von Kunst und Intelligenz’, Kurier, 15 April 2023.

Almuth Spiegler, ‘Antony Gormley: ‘Meine Kunst ist eine skeptische’, Die Press, 2 April 2023.

Jackie Wullschläger, ‘Joseph Beuys, Thaddaeus Ropac review - intimate drawings from the artist-prophet’, The Financial Times, 24 January 2023

Chris Harvey,  ‘Antony Gormley ‘We are in danger of being told what to think’, The Telegraph, 17 January 2023 

Helga Meister, ‘Antony Gormley, ‘Das Kreuz existiert im Körper, bevor jemand Gekreuzgit wurde’, Kuntsforum, January - February 2023

2023

Stephanie Dieckvoss, ‘Antony Gormley in dialogue with the sculptor Wilhelm Lehmbruck’, Handelsblatt, 29 December 2022

Michel Verlinden, ‘Antony Gormley, l'esthète d'espaces’, Le Vif, 27 November 2022

Harriet Lloyd-Smith, ‘Antony Gormley interview: ‘We’re at more than a tipping point. We’re in a moment of utter crisis’

Osman Can Yerebakan, ‘Antony Gormley: ‘Architecture is our second body’

Antony Gormley: ‘I’d like to make sure that in this last period I make things that can be part of everyday experiences… rooted in a community and a place’, Christie's, 20 July 2022

Rachel Spence, ‘Gormley, Fontana and Scarpa in Venice — review: tranquil and transcendent’, Financial Times, 11 May 202

Claire Armistead, ‘Antony Gormley: ‘I’m inviting people to explore the conditions of their own living’’, The Guardian, 23 April 2022

2022

John Goodall, Interview: Sir Antony Gormley. An art form that makes us think, Country Life, 25 September 2021

Og Sor Fern, ‘British sculptor Antony Gormley's new work for National Gallery Singapore was born during Covid-19’, The Straits Times, 4 August 2021

Andreas Langen, ‘Antony Gormley im Schauwerk Sindelfingen: Skulptur und Metaphysik’, SWR 2, 14 June 2021

Kate Dennett, ‘Baring all! Sir Antony Gormley's 100 cast-iron naked statues are dug up from beach to have foundations re-set after strong currents caused them to tilt’, Daily Mail, 8 June 2021

Louis Harnett O’Meara, ‘My Cabinet’, Monocle, May 2021

Gabrielle Schwarz, ‘Body of Work’, Apollo, April 2021

Chris Sharratt, ‘The hinge between Time and Place’, Sculpture Magazine, February 2021

Mike Ridley, ‘ART ATTACK Sir Antony Gormley urges Sun readers to get creative in lockdown with The Great Big Art Exhibition’, The Sun, 28 January 2021

Will Gompertz, ‘Sir Antony Gormley announces ‘UK’s biggest art exhibition’’, BBC News online, 28 January 2021

Franecsca Loy Bell, ‘Antony Gormley on The Great Big Art Exhibition - your chance to be part of the biggest show in Britain’, Evening Standard, 28 January 2021

Mike Pitts, ‘My Archaeology: The ur-gesture of sculpture’, British Archaeology Magazine, 18 January 2021

Beth Williamson, ‘Shaping the World: Sculpture from Prehistory to Now’ - Book Review, Studio International, 4 January 2021

2021

Martin Gayford, ‘How Antony Gormley’s failed Buddhist monkhood turned him into the world‘s best sculptor’, The Sunday Telegraph, London, U.K., 13 December 2020

Lauren Christensen, ‘The Big Picture - Book Review’, The New York Times, New York, USA, 6 December 2020

Matthew Craske, ‘Stone Poses’, Literary Review, December 2020

Rachel Campbell-Johnston, ‘Antony Gormley: ‘We live in a culture addicted to spectacle’, The Times, London, U.K., 23 November 2020

Sam Leith, ‘Podcast with Antony Gormley and Martin Gayford’. The Spectator, London, U.K., 11 November 2020

Julia Sutherland, ‘Shaping the World - a refreshing invitation to rethink sculpture’, The Financial Times, London, U.K., 10 November 2020

Peter Elfert, ‘Sir Antony Gormley’, Salon Magazine, August 2020

Henri-Francois Debailleux, ‘Antony Gormley: “Le corps dont il est question ici ets celui du spectateur”’, Le Journal des Arts, 8th May 2020

Matthieu Jacquet, ‘Antony Gormley sculpte notre monde à la galerie Thaddaeus Ropac’, Numero, Paris, France, April 2020

Ann Hindry, ‘Antony Gormley: Sculpteur de lieux’, ArtPress, March 2020

 Wohlfarth, ‘Gormley and Chamberlain: Kiss and Run’, Frankfurter Allgemeine Zeitung, March 2020

Bettina Wohlfarth, ‘Gormley and Chamberlain: Kiss and Run’, Frankfurter Allgemeine Zeitung, March 2020

Adrian Horton, ‘An act of hope’: why Antony Gormley teamed up with K-pop superstars BTS’, The Guardian, 5th February 2020

Miranda Bryant, ‘BTS are opening up the art world to a whole new audience, says Sir Antony Gormley,’ The Evening Standard, 5th February 2020

Sara Aridi, BTS Announces Global Arts Project Featuring Antony Gormley, International New York Times, 14th January 2020

Kabir Jhala, ‘K-pop stars collaborate on major artist projects’, 14th January 2020

2020

Rachel Campbell-Johnston, ‘Gormley’s Engaging body of work has all the fun of the fair,’ The Times, 17th October 2019

Prospero, ‘Sir Antony Gormley’s art explores an interior realm’, The Economist, London, U.K., 21st September 2019

Farah Nayeri, ‘An Indoor Sea and Miles of Metalwork: Antony Gormley’s Crowning Moment’, New York Times, New York, U.S.A., 18th September 2019

Matthew Collings, ‘Spectacular retrospective is a show of accessible meaning’, The Evening Standard, London, U.K., 17th September 2019

Simon Schama, ‘Antony Gormley: “What you see is what you get”’, Financial Times, London, U.K., 13th September 2019

Anthea Gerrie, ‘Castaways’, Blueprint, London, U.K., August 2019

Rachel Spence, ‘Antony Gormley’s haunting sculptures on the Greek island of Delos’, Financial Times, London, U.K., 14th June 2019

Harry Seymour, ‘Exhibition of Gormley’s figures repopulates a Greek island’s ancient ruins,’ The Art Newspaper, London, U.K., 7th May 2019

Silvia Anna Barrila, Antony Gormley: Brexit? “A temporary and painful pathological form of self-injury”, Il Sole Ore, Milan, Italy, 21st February 2019

2019

Debra Craine, ‘Review: Icon/Noetic at Sadler’s Wells’, The Times, London, U.K., 4th December 2018

Emma Byrne, ‘Sidi Larbi Cherkaoui and Antony Gormley review: Icon is remarkable madness in three and a half tonnes of clay’, Evening Standard, London, U.K., 3rd December 2018

Lyndsey Winship, ‘Icon review - Antony Gormley’s amazing feat of dancing, churning clay’, The Guardian, London, U.K., 2nd December 2018

2018

Aimee Dawson, ‘East Anglian sculpture park set to be created on university campus’, The Art Newspaper, London, U.K., 22nd April 2017

‘Antony Gormley Sculpture Gets Permanent Home’, BBC News Online, London, U.K., 4th March 2017

2017

Eddy Frankel, ‘Antony Gormley’, Time Out, London, U.K., 4th October 2016

Rachel Campbell-Johnston, ‘Visual Art: Antony Gormley at the White Cube, SE1’, The Times, London, U.K., 30th September 2016

Anny Shaw, ‘Antony Gormley: ‘Making Art is Hopeful’ In The Face of Extinction’, The Art Newspaper, London, U.K., 30th September 2016

Antony Gormley, ‘We cannnot solve migrant crisis outside of the EU’, The i, London, U.K., 23rd June 2016

Sarah Cascone, ‘Antony Gormley on Why His Art Makes Sense in New York’, Artnet News, New York, U.S.A., 15th June 2016.

Jackie Wullschlager, ‘Critics’ choice: Antony Gormley: Cast’, The Financial Times, London, U.K., 14th May 2016

Andrew Dickson, ‘How We Made Angel of the North’, The Guardian, London, U.K., 29th March 2016

Lin Qi, ‘Gormley Gives His Audience A Lot To Chew On’, China Daily, Beijing, China, 22nd March 2016

Madeleine Ross, ‘Gallery Without Walls’, Hong Kong Tatler, Hong Kong, China, March 2016

Samantha Kuok Leese, ‘Event Horizon - Anotny Gormley’, Artforum.com, New York, U.S.A., 5th February 2016

Toivo Kai Yan Siu, ‘Antony Gormley’s Sculpture of Mindfulness’, AsiaArtPacific, Hong Kong, China, 27th January 2016.

Tsao Yidi, ‘Event Horizon-Hong Kong: Reimagining Public Spaces’, Randian Online, Hong Kong, China, 27th January 2016

Bernard Yeung, ‘Acupuncture of the City’, A.M. Post, Hong Kong, China, January 2016

2016

Eunice Tsang, ‘Interview: Antony Gormley on his HK sculpture installation, Event Horizon’, Time Out Hong Kong, Hong Kong, China, 2nd December 2015.

Enid Tsui, ‘Stand and Consider’, South China Morning Post, Hong Kong, China, 3rd November 2015

Stephen Short, ‘Outside the Box’, Tatler, Hong Kong, China, November 2015

Antony Gormley, ‘New Roles for an Ancient Form’, The Financial Times, London, U.K., 4th October 2015

Pia Capelli, ‘Per inciampare nelle statue’, Il Sole 24 Ore, Milan, Italy, 2nd August 2015

David Whetstone, ‘Antony Gormley exhibition launches drawing project at Newcastle’s Hatton Gallery’, Evening Chronicle, Newcastle, U.K., 4th July 2015

Martin Gayford, ‘Antony Gormley: Renaissance thinking was wrong’, The Telegraph, London, U.K., 6th June 2015

Gregorio Botta, ‘Antony Gormley: La nuova vita (estetica) del corpo umano’, Rome, Italy, 14th June 2015

Hannah Ellis-Petersen, ‘I am still learning how to make sculpture’, The Guardian, London, U.K., 6th May 2015

Nicholas Forrest, ‘Antony Gormley on His Epic “Human” Exhibition in Florence’, Blouin Art Info, New York, U.S.A., 30th April 2015

Antony Gormley, ‘The Man who made dumb objects speak’, The Evening Standard, London, U.K., 8th April 2015

Francesca Pini, ‘Qui a Firenze contesto la tirannia del Rinascimento’, Corriere Della Sera Sette, Milan, Italy, 20th March 2015

Amy Verner, ‘Antony Gormley’s sculpture takes over Galerie Thaddaeus Ropac’, Wallpaper*, London, U.K., 4th March 2015

2015

Alexander Sury, ‘Das ist der Ort, in dem ich lebe’, Der Bund, Berne, Switzerland, 4th September 2014

Rima Suqi, ‘The Art of Darkness’, The New York Times, New York, U.S.A., 4th September 2014

Christopher DeWolf, ‘Hong Kong: Antony Gormley, White Cube Hong Kong’, Artforum.com, New York, USA, 22nd April 2014

Anita Feldman, Antony Gormley, Richard Deacon, Bruce Nauman, Tony Cragg & Damien Hirst, ‘Gormley to Hirst: today’s top artists on the genius of Henry Moore’, The Guardian Online, London, England, 11th April 2014

Catherine Shaw ‘Art and architecture collide in Antony Gormley’s exhibition at Hong Kong’s White Cube gallery’, Wallpaper, London, England, 2nd April 2014

2014

Nick Clark, ‘Antony Gormley Knighted in New Year Honours List 2014’, The Independent Online, London, England, 31st December 2013

Antony Gormley, ‘Brutal Truths’, The Guardian, London, England, 26th November 2013

Nick Clark, ‘Britons Antony Gormley and David Chipperfield win ’Japanese Nobel’ prize’, The Independent, London, England, 17th September 2013

Unknown, ‘Angel of the North Celebrates 15th Birthday’, BBC News Tyne & Wear, Newcastle, England, 16th June 2013

Declan McGonagle, ‘Multiples of One’, Irish Arts Review, Dublin, Ireland, March-May 2013

2013

Nick Clark, ‘Antony Gormley warns arts cuts Britain is in danger of becoming a ‘society of robots’’, The Independent  Online, London, England, 17th December 2012

Various, ‘Halt this savage attack on the arts’, The Guardian, London, 

Rachel Spence, ‘Gormley breaks free from the figure’, The Financial Times, London, 

Nigel Farndale, ‘I Feel Terribly Misunderstood’, The Sunday Telegraph Seven Magazine, London, 

Rachel Campbell-Johnston, ‘Step Inside the Body Beautiful’, The Times, London, England, 28th November 2012

Mark Brown, ‘The Show That Really Gets Inside Gormley’s Work’, The Guardian, London, England, 27th November 2012

Howard Halle, ‘Antony Gormley ’Bodyspace’’, Time Out New York, New York, U.S.A., 12th November 2012

Dorothy Spears, ‘Gallery as Museum, Art Dealer as Curator’, The New York Times, New York, U.S.A., 26th October 2012

Kat Austen, Liz Else & Sumit Paul-Choudhury, ‘Engineer of Experience’, New Scientist, London, England, 13th October 2012

Von Hanno Rauterberg, ‘Hier ist das Leben!’, Die Zeit, Hamburg, Germany, 20th September 2012

Chesney Hearst, ‘The Forms of Antony Gormley Art in Rio’, The Rio Times, Rio de Janeiro, Brazil, 18th September 2012

, The Art Newspaper Online, London, England, 18th  August 2012

‘Antony Gormley: Still Standing, White Cube (Hoxton Square) - review’

, Evening Standard, London, England, 14th August 2012

Florence Woodfield, ‘Interview: Antony Gormley’, Time Out Rio de Janeiro, Rio de Janeiro, Brazil, 5th August 2012

‘Angel Artist and Baltic Founders Made Honorary Freemen of Gateshead’

Anna Sansom, ‘Standing Tall, Antony Gormley in the Landscape’, DAMn Magazine, Gent, Belgium, 1st July 2012

Barbara Hein, ‘Die Meta-Ebene’, Art-Kunstmagazin, Berlin, Germany, 1st July 2012

Anna Sansom, ‘Antony Gormley’, Noblesse Magazine, 1st July 2012

, The Washingtonian, Washington D.C., U.S.A., 6th June 2012

Gilberto Scofield Jr, ‘Os Corpos Dramaticos de Antony Gormley’, O Globo, Rio de Janeiro, Brazil, 13th May 2012

‘Britanico Manipula espaco public com suas esculturas’

, Valor Economico, Sao Paulo, Brazil, 10th May 2012

Tom Allsop/Claire Rigby, ‘Art on a Human Scale’, Time Out Sao Paulo, Sao Paulo, Brazil, 10th May 2012

, O Estado de Sao Paulo, Sao Paulo, Brazil, 9th May 2012

Antony Gormley e Nikhil Chopra l’arte è un viaggio nello spazio

’, La Repubblica Firenze, Florence, Italy, 4th May 2012

‘Antony Gormley espalha homens nus no centro de SP’

, Folha de Sao Paulo Ilustrada, Sao Paulo, Brazil, 3rd May 2012

Sabine Danek, ‘Erhabener Nervenkitzel’, Szene Hamburg, Hamburg, Germany, 1st May 2012

Michele Robecchi, ‘Antony Gormley: Corpi Come Vascelli’, Flash Art Italy, 30th April 2012

Julika Pohle, ‘Uberm Horizont geht’s weiter’, Die Welt, Germany, 27th April 2012

Katja Engler, ‘Selbster fahrung auf schwarzem Spiegel’, Welt am Sonntag, 22nd April 2012

‘Good Head For Figures Takes Sculptor to the Top’

, The Financial Times (Exec Appointments), London, England, 19th April 2012

Mike Dixon, ‘Antony Gormley’, Tanz, 1st April 2012

‘Never again, says Antony Gormley’s wife after they create first joint artwork’

, The Evening Standard, London, England, 20th March 2012

, The Guardian, London, England, 8th February 2012

‘Antony Gormley: Don’t Criminalise Squatting’

, The Guardian, London, England, 31st January 2012

Anon, ‘Eisenmanner bleiben hartes Thema’, Vorarlberger Nachrichten, 23rd January 2012

Kate Kellaway, ‘Exhilaration in the Eye of A Roaring Soundscape’, The Observer, London, England, 15th January 2012

, The Telegraph Review, London, England January, 7th 2012

2012

, New Internationalist Website, England, November 2011

Dr Janet MacKenzie, Studio Visits No 2: Antony Gormley, Studio International, November 2011

Nancy Durrant, ‘We Were in Winter Now It’s Spring’, The Times, London, England, 25th October 2011

Antony Gormley at Le Moulin, L’Espace Plus Que Le Corps’

, Amateur D’art par Lunette Rouges, France, 24th October 2011

Alastair Sooke, ‘Playing with Marbles’, RA Magazine, London, England, Winter 2011/12

Michael Glover, ‘Of Gods and Men in St Petersburg’, The Independent (Arts & Books Section)

Richard Smirke, ‘Body Works’, The Big Issue in the North, Manchester, England, 5th September 2011

Peter Aspden, ‘Gormley on the Loose at the Hermitage’, Financial Times Weekend Magazine, London, England, 17/18 September 2011

Jonathan Gawthorpe, ‘Brick Man’s Return’, The Yorkshire Post, England, 3 September 2011

Paul B. Franklin, ‘Antony Gormley, Thaddaeus Ropac’, Art in America, USA, September 2011

Antony Gormley, ‘Louder Than Words’, Resurgence, Devon, England, September 2011

Elizabeth Lynch, ‘Antony Gormley: Transport’, Sculpture Magazine, July/August 2011

MJP, ‘Antony Gormley’, The Art Economist, USA, July 2011

Finn Skarderud, ‘Den fenomenale kroppen’, Journal of the Norwegian Psychological Association, July 2011

Colin Coyle, ‘DDDA sculpture left high and dry’, The Sunday Times, London, England, 2 May 2010

Richard Lord, ‘Bodies at Work’, Asia Tatler, Hong Kong, May 2011

Robert Nelson, ‘Robotic adventures in existential despair’, The Age, Sydney Australia, 23 March 2011

Jutta Berger, ‘Aufi zu den Eisenmannern!’, Der Standard, Vienna, Austria, 15 March 2011

‘Antony Gormley’s rooftop sculptures are making New Yorkers jumpy’, Times Online, 12 March 2010

Dan Rule, ‘One man among many’, The Saturday Age, The Age, Sydney, Australia, March 5 2011

Eelco de Winter, ‘Van draadmodel tot polderreus’, Bouwen Met Staal, Zoettermeer, The Netherlands, February 2011

Herbert Volker, ‘Art in the Open’, The Red Bulletin (in association with the Sunday Telegraph), London, England, February 2011

Nancy Durrant, ‘After Angel of the North, a body of nails in a cathedral’, The Times, London, England, 31 January 2011

Richard Cork, ‘New light through old windows’, Financial Times, London, England, 29 January 2011

Samira Shackle, ‘The NS Interview’, New Statesman, London, England, 17 January 2011

2011

David Bullock, ‘Inconceivable Border’, Zeitraum, Lech Zurs am Arlberg, Austria, Winter 2010

Belinda Fiebiger, ‘Gedanken, so biegsam wei hei ßes Eisen’, Next Art, 2010

Door Rudi Fuchs, ‘Kijken’, De Groene Amsterdammer, 11 November 2010

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