, Antony Gormley turned the entire gallery architecture into a psychic and physiological testing ground, using sculpture to animate space and activate the built environment. The exhibition was designed to resonate within the dense urban conditions particular to Hong Kong.

Dispersed tactically throughout the gallery and its connecting stairways and passages, the works in the exhibition invited the viewer’s active projection. Using dramatic changes in material and scale, both the body of sculpture and that of the viewer was included and excluded, made solid and dematerialised, allowed to displace space but also to identify with it.

White Cube

, 2012, cast iron, 31.5 × 151 × 71.5 cm. Photograph by Vincent Tsang.

Installation view. Photograph by Vincent Tsang.

, 2014, 20 mm square section stained stainless steel tube and plastic spigots, 420.5 × 430 × 411 cm. Photograph by Vincent Tsang.

, 2011 (foreground), 6 mm square section mild steel bar, 34.2 × 212 × 44 cm and 

, 2012 (background), 6 mm square section mild steel bar, 106 × 54 × 60.6 cm. Photograph by Vincent Tsang.

, 2012 (foreground), 6 mm square section mild steel bar, 106 × 54 × 60.6 cm and 

, 2011 (background), 6 mm square section mild steel bar, 34.2 × 212 × 44 cm. Photograph by Vincent Tsang. 

, 2013, cast iron, 104.5 × 24.5 × 30 cm. Photograph by Vincent Tsang.

, 2011, 6 mm square section mild steel bar, 43.8 × 55.8 × 188.4 cm. Photograph by Vincent Tsang.

, 2014, 6 mm square section mild steel bar, one horizontal and one vertical dissecting line, dimensions variable. Photograph by Vincent Tsang.

, 2014 (foreground), 6 mm square section mild steel bar, one horizontal and one vertical dissecting line, dimensions variable and 

, 2011 (background), 6 mm square section mild steel bar, 43.8 × 55.8 × 188.4 cm. Photograph by Vincent Tsang.

, 2014, cast iron, 73 × 55 × 63 cm. Photograph by Vincent Tsang.

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