Run

The Run works both activate and are activated: they respond to and transform architectural space and are animated by human interaction. Run III (2022), for example, is a line that delineates but also confuses surfaces and apertures of our built world. It weaves through the Xavier Hufkens gallery with horizontals at the domestic height of chairs and tables, windowsills and ceilings, so that our familiarity with its geometry is both triggered and dispelled. By re-presenting our context as a three-dimensional drawing within architecture, the Run installations allow us to walk through walls whilst becoming aware of how architecture encourages and enforces particular forms of bodily choreography.